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MPEG-4 Presets

Apple Devices

By: Coby Rich

  • This preset encodes for video playback on all video enabled Apple devices including the iPad, iPod, iPod Touch, iPhone, and Apple TV.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Film-HD 1080p (1.85x1)

By: Nate Caplin

  • Creates 1920x1056 1:1 frame rate (i.e., 24fps or 23.98fps) AVC/H.264 High Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Progressive Streaming. Subject matter of source video can be complex and active (i.e., action movie trailer). Source file should be either 1.85:1 aspect (35mm widescreen), or if source file is 16:9 (1.78:1) aspect with letterbox bars, then apply a Crop filter constrained to 1.85:1 aspect to remove letterbox bars. Do not use a Deinterlace filter for 24p or film-based content. If source is 1080i/29.97fps telecine capture from 24fps film source, apply an Inverse Telecine filter restore intended 24p frame rate. Source file should be from 1080p or higher (D5, HDCAM-SR, 2K or 4K digital intermediate) origin. Ideal for high quality computer presentation of theatrical content made on film or digital cinema system like RED, Panavision Genesis, Sony CineAlta, Panasonic Varicam 3700/1080p, etc.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Film-HD 1080p (2.39x1)

By: Nate Caplin

  • Creates 1920x800 1:1 frame rate (i.e., 24fps or 23.98fps) AVC/H.264 High Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Progressive Streaming. Subject matter of source video can be complex and active (i.e., action movie trailer). Source file should be either 2.39:1 aspect (35mm anamorphic/"Cinemascope"), or if source file is 16:9 (1.78:1) aspect with letterbox bars, then apply a Crop filter constrained to 2.39:1 aspect to remove letterbox bars. Do not use a Deinterlace filter for 24p or film-based content. If source is 1080i/29.97fps telecine capture from 24fps film source, apply an Inverse Telecine filter restore intended 24p frame rate. Source file should be from 1080p or higher (D5, HDCAM-SR, 2K or 4K digital intermediate) origin. Ideal for high quality computer presentation of theatrical content made on film or digital cinema system like RED, Panavision Genesis, Sony CineAlta, Panasonic Varicam 3700/1080p, etc.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Film-HD 480p (1.85x1)

By: Nate Caplin

  • Creates 848x448 1:1 frame rate (i.e., 24fps or 23.98fps) AVC/H.264 Main Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Progressive Streaming. Subject matter of source video can be complex and active (i.e., action movie trailer). Source file should be either 1.85:1 aspect (35mm widescreen), or if source file is 16:9 (1.78:1) aspect with letterbox bars, then apply a Crop filter constrained to 1.85:1 aspect to remove letterbox bars. Do not use a Deinterlace filter for 24p or film-based content. If source is 1080i/29.97fps or 480i/29.97fps NTSC capture from 24fps film source, apply an Inverse Telecine filter restore intended 24p frame rate. Ideal for high quality computer presentation of theatrical content made on film or digital cinema system like RED, Panavision Genesis, Viper, Sony CineAlta, Panasonic Varicam, etc.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Film-HD 480p (2.39x1)

By: Nate Caplin

  • Creates 848x352 1:1 frame rate (i.e., 24fps or 23.98fps) AVC/H.264 Main Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Progressive Streaming. Subject matter of source video can be complex and active (i.e., action movie trailer). Source file should be either 2.39:1 aspect (35mm anamorphic/"Cinemascope"), or if source file is 16:9 (1.78:1) aspect with letterbox bars, then apply a Crop filter constrained to 2.39:1 aspect to remove letterbox bars. Do not use a Deinterlace filter for 24p or film-based content. If source is 1080i/29.97fps or 480i/29.97fps NTSC capture from 24fps film source, apply an Inverse Telecine filter restore intended 24p frame rate. Ideal for high quality computer presentation of theatrical content made on film or digital cinema system like RED, Panavision Genesis, Viper, Sony CineAlta, Panasonic Varicam, etc.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Film-HD 720p (1.85x1)

By: Nate Caplin

  • Creates 1280x688 1:1 frame rate (i.e., 24fps or 23.98fps) AVC/H.264 High Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Progressive Streaming. Subject matter of source video can be complex and active (i.e., action movie trailer). Source file should be either 1.85:1 aspect (35mm widescreen), or if source file is 16:9 (1.78:1) aspect with letterbox bars, then apply a Crop filter constrained to 1.85:1 aspect to remove letterbox bars. Do not use a Deinterlace filter for 24p or film-based content. If source is 1080i/29.97fps telecine capture from 24fps film source, apply an Inverse Telecine filter restore intended 24p frame rate. Source file should be from 720p or higher (HDV, DVCPRO HD, D5, HDCAM, 2K or 4K digital intermediate) origin. Ideal for high quality computer presentation of theatrical content made on film or digital cinema system like RED, Panavision Genesis, Viper, Sony CineAlta, Panasonic Varicam, etc.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Film-HD 720p (2.39x1)

By: Nate Caplin

  • Creates 1280x544 1:1 frame rate (i.e., 24fps or 23.98fps) AVC/H.264 High Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Progressive Streaming. Subject matter of source video can be complex and active (i.e., action movie trailer). Source file should be either 2.39:1 aspect (35mm anamorphic/"Cinemascope"), or if source file is 16:9 (1.78:1) aspect with letterbox bars, then apply a Crop filter constrained to 2.39:1 aspect to remove letterbox bars. Do not use a Deinterlace filter for 24p or film-based content. If source is 1080i/29.97fps telecine capture from 24fps film source, apply an Inverse Telecine filter restore intended 24p frame rate. Source file should be from 720p or higher (HDV, DVCPRO HD, D5, HDCAM, 2K or 4K digital intermediate) origin. Ideal for high quality computer presentation of theatrical content made on film or digital cinema system like RED, Panavision Genesis, Viper, Sony CineAlta, Panasonic Varicam, etc.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Film-Large (1.85x1)

By: Nate Caplin

  • Creates 640x336 1:1 frame rate (i.e., 24fps or 23.98fps) AVC/H.264 Main Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Progressive Streaming. Subject matter of source video can be complex and active (i.e., action movie trailer). Source file should be either 1.85:1 aspect (35mm widescreen), or if source file is 16:9 (1.78:1) aspect with letterbox bars, then apply a Crop filter constrained to 1.85:1 aspect to remove letterbox bars. Do not use a Deinterlace filter for 24p or film-based content. If source is 1080i/29.97fps or 480i/29.97fps NTSC capture from 24fps film source, apply an Inverse Telecine filter restore intended 24p frame rate. Ideal for high quality, moderate size, computer presentation of theatrical content made on film or digital cinema system like RED, Panavision Genesis, Viper, Sony CineAlta, Panasonic Varicam, etc.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Film-Large (2.39x1)

By: Nate Caplin

  • Creates 640x272 1:1 frame rate (i.e., 24fps or 23.98fps) AVC/H.264 Main Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Progressive Streaming. Subject matter of source video can be complex and active (i.e., action movie trailer). Source file should be either 2.39:1 aspect (35mm anamorphic/"Cinemascope"), or if source file is 16:9 (1.78:1) aspect with letterbox bars, then apply a Crop filter constrained to 2.39:1 aspect to remove letterbox bars. Do not use a Deinterlace filter for 24p or film-based content. If source is 1080i/29.97fps or 480i/29.97fps NTSC capture from 24fps film source, apply an Inverse Telecine filter restore intended 24p frame rate. Ideal for high quality, moderate size, computer presentation of theatrical content made on film or digital cinema system like RED, Panavision Genesis, Viper, Sony CineAlta, Panasonic Varicam, etc.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Film-Medium (1.85x1)

By: Nate Caplin

  • Creates 480x256 1:1 frame rate (i.e., 24fps or 23.98fps) AVC/H.264 Main Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Progressive Streaming. Subject matter of source video can be complex and active (i.e., action movie trailer). Source file should be either 1.85:1 aspect (35mm widescreen), or if source file is 16:9 (1.78:1) aspect with letterbox bars, then apply a Crop filter constrained to 1.85:1 aspect to remove letterbox bars. Do not use a Deinterlace filter for 24p or film-based content. If source is 1080i/29.97fps or 480i/29.97fps NTSC capture from 24fps film source, apply an Inverse Telecine filter restore intended 24p frame rate. Ideal for high quality, small size, computer presentation of theatrical content made on film or digital cinema system like RED, Panavision Genesis, Viper, Sony CineAlta, Panasonic Varicam, etc.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Film-Medium (2.39x1)

By: Nate Caplin

  • Creates 480x200 1:1 frame rate (i.e., 24fps or 23.98fps) AVC/H.264 Main Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Progressive Streaming. Subject matter of source video can be complex and active (i.e., action movie trailer). Source file should be either 2.39:1 aspect (35mm anamorphic/"Cinemascope"), or if source file is 16:9 (1.78:1) aspect with letterbox bars, then apply a Crop filter constrained to 2.39:1 aspect to remove letterbox bars. Do not use a Deinterlace filter for 24p or film-based content. If source is 1080i/29.97fps or 480i/29.97fps NTSC capture from 24fps film source, apply an Inverse Telecine filter restore intended 24p frame rate. Ideal for high quality, small size, computer presentation of theatrical content made on film or digital cinema system like RED, Panavision Genesis, Viper, Sony CineAlta, Panasonic Varicam, etc.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Film-Small (1.85x1)

By: Nate Caplin

  • Creates 320x172 2:1 frame rate (i.e., 12fps from 24fps source) AVC/H.264 Main Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Progressive Streaming. Subject matter of source video can be complex and active (i.e., action movie trailer). Source file should be either 1.85:1 aspect (35mm widescreen), or if source file is 16:9 (1.78:1) aspect with letterbox bars, then apply a Crop filter constrained to 1.85:1 aspect to remove letterbox bars. Do not use a Deinterlace filter for 24p or film-based content. If source is 1080i/29.97fps or 480i/29.97fps NTSC capture from 24fps film source, apply an Inverse Telecine filter restore intended 24p frame rate. Given this preset's small output resolution, consider an aggressive crop to preserve impact or primary subject matter. Ideal for high quality, very small size, computer presentation of theatrical content made on film or digital cinema system like RED, Panavision Genesis, Viper, Sony CineAlta, Panasonic Varicam, etc.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Film-Small (2.39x1)

By: Nate Caplin

  • Creates 320x136 2:1 frame rate (i.e., 12fps from 24fps source) AVC/H.264 Main Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Progressive Streaming. Subject matter of source video can be complex and active (i.e., action movie trailer). Source file should be either 2.39:1 aspect (35mm anamorphic/"Cinemascope"), or if source file is 16:9 (1.78:1) aspect with letterbox bars, then apply a Crop filter constrained to 2.39:1 aspect to remove letterbox bars. Do not use a Deinterlace filter for 24p or film-based content. If source is 1080i/29.97fps or 480i/29.97fps NTSC capture from 24fps film source, apply an Inverse Telecine filter restore intended 24p frame rate. Given this preset's small output resolution, consider an aggressive crop to preserve impact or primary subject matter. Ideal for high quality, very small size, computer presentation of theatrical content made on film or digital cinema system like RED, Panavision Genesis, Viper, Sony CineAlta, Panasonic Varicam, etc.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

High Bandwidth (2Mbps) Flash 9 Compatible Streaming MP4

By: Randon Morford

  • Creates a 2Mbps MP4 file for streaming servers with a large 640x480 frame size. Built to accommodate low CPU usage when playing average motion video.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

HiMotion-HD 1080p (16x9)

By: Nate Caplin

  • Creates 1920x1080 1:1 frame rate (i.e., 29.97fps if source is 29.97fps) AVC/H.264 High Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Progressive Streaming. Subject matter of source video can be complex and active (i.e., sports, commercial, demo reel, music video). Source file should be 16:9/1.78:1 aspect HD 1080i or larger. If source video is interlaced, use a Deinterlace filter with an Adaptive Blend mode to remove comb artifacts and preserve smooth motion. Produces master quality stereo audio optimized for mixed music and voice; use an Audio Volume filter set to Normalize Level 90 for best results. Ideal for highest HD quality computer presentation of high-motion content made with HD video cameras.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

HiMotion-HD 480p (16x9)

By: Nate Caplin

  • Creates 848x480 1:1 frame rate (i.e., 29.97fps if source is 29.97fps) AVC/H.264 Main Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Progressive Streaming. Subject matter of source video can be complex and active (i.e., sports, commercial, demo reel, music video). Source file should be 16:9/1.78:1 aspect (either HD or SD anamorphic). NOT appropriate for 4:3 standard definition sources containing 16:9 content with letterbox bars. If source video is interlaced, use a Deinterlace filter with an Adaptive Blend mode to remove comb artifacts and preserve smooth motion. Produces excellent quality stereo audio optimized for mixed music and voice; use an Audio Volume filter set to Normalize Level 90 for best results. Ideal for high quality computer presentation of high-motion content made with NTSC, PAL, or HD video cameras.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

HiMotion-HD 720p (16x9)

By: Nate Caplin

  • Creates 1280x720 1:1 frame rate (i.e., 29.97fps if source is 29.97fps) AVC/H.264 High Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Progressive Streaming. Subject matter of source video can be complex and active (i.e., sports, commercial, demo reel, music video). Source file should be 16:9/1.78:1 aspect HD 720p or larger. If source video is interlaced, use a Deinterlace filter with an Adaptive Blend mode to remove comb artifacts and preserve smooth motion. Produces master quality stereo audio optimized for mixed music and voice; use an Audio Volume filter set to Normalize Level 90 for best results. Ideal for HD quality computer presentation of high-motion content made with HD video cameras.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

HiMotion-Large (16x9)

By: Randon Morford

  • Creates 640x360 1:1 frame rate (i.e., 29.97fps if source is 29.97fps) AVC/H.264 Main Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Progressive Streaming. Subject matter of source video can be complex and active (i.e., sports, commercial, demo reel, music video). Source file should be 16:9 (1.78:1) aspect. If source video is interlaced, use a Deinterlace filter with an Adaptive Blend mode to remove comb artifacts and preserve smooth motion. Produces excellent quality stereo audio optimized for mixed music and voice; use an Audio Volume filter set to Normalize Level 90 for best results. Ideal for high quality, moderate size, computer presentation of high-motion content made with NTSC, PAL, or HD video cameras.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

HiMotion-Large (4x3)

By: Nate Caplin

  • Creates 480x360 1:1 frame rate (i.e., 29.97fps if source is 29.97fps) AVC/H.264 Main Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Progressive Streaming. Subject matter of source video can be complex and active (i.e., sports, commercial, demo reel, music video). Source file should be either 4:3/1.33:1 aspect, or if source file is 16:9 (1.78:1) aspect with pillarbox bars, then apply a Crop filter constrained to 4:3/1.33:1 aspect to remove pillarbox bars. If source video is interlaced, use a Deinterlace filter with an Adaptive Blend mode to remove comb artifacts and preserve smooth motion. Produces excellent quality stereo audio optimized for mixed music and voice; use an Audio Volume filter set to Normalize Level 90 for best results. Ideal for high quality, moderate size, computer presentation of high-motion content made with NTSC, PAL, or HD video cameras.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

HiMotion-Medium (16x9)

By: Nate Caplin

  • Creates 432x240 1:1 frame rate (i.e., 29.97fps if source is 29.97fps) AVC/H.264 Main Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Progressive Streaming. Subject matter of source video can be complex and active (i.e., sports, commercial, demo reel, music video). Source file should be either 16:9/1.78:1 aspect (either HD or SD anamorphic), or if source file is 4:3 (1.33:1) aspect with letterbox bars, then apply a Crop filter constrained to 16:9/1.78:1 "HDTV/EDTV" aspect to remove letterbox bars. If source video is interlaced, use a Deinterlace filter with an Adaptive Blend mode to remove comb artifacts and preserve smooth motion. Produces excellent quality stereo audio optimized for mixed music and voice; use an Audio Volume filter set to Normalize Level 90 for best results. Ideal for high quality, small size, computer presentation of high-motion content made with NTSC, PAL, or HD video cameras.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

HiMotion-Medium (4x3)

By: Nate Caplin

  • Creates 320x240 1:1 frame rate (i.e., 29.97fps if source is 29.97fps) AVC/H.264 Main Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Progressive Streaming. Subject matter of source video can be complex and active (i.e., sports, commercial, demo reel, music video). Source file should be either 4:3/1.33:1 aspect, or if source file is 16:9 (1.78:1) aspect with pillarbox bars, then apply a Crop filter constrained to 4:3/1.33:1 aspect to remove pillarbox bars. If source video is interlaced, use a Deinterlace filter with an Adaptive Blend mode to remove comb artifacts and preserve smooth motion. Produces excellent quality stereo audio optimized for mixed music and voice; use an Audio Volume filter set to Normalize Level 90 for best results. Ideal for high quality, small size, computer presentation of high-motion content made with NTSC, PAL, or HD video cameras.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

HiMotion-Small (16x9)

By: Nate Caplin

  • Creates 320x180 1:1 frame rate (i.e., 29.97fps if source is 29.97fps) AVC/H.264 Main Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Progressive Streaming. Subject matter of source video can be complex and active (i.e., sports, commercial, demo reel, music video). Source file should be either 16:9/1.78:1 aspect (either HD or SD anamorphic), or if source file is 4:3 (1.33:1) aspect with letterbox bars, then apply a Crop filter constrained to 16:9/1.78:1 "HDTV/EDTV" aspect to remove letterbox bars. If source video is interlaced, use a Deinterlace filter with an Adaptive Blend mode to remove comb artifacts and preserve smooth motion. Given this preset's small output resolution, consider an aggressive crop to preserve impact or primary subject matter. Produces good quality stereo audio optimized for mixed music and voice; use an Audio Volume filter set to Normalize Level 90 for best results. Ideal for high quality, very small size, computer presentation of high-motion content made with NTSC, PAL, or HD video cameras.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

HiMotion-Small (4x3)

By: Nate Caplin

  • Creates 240x180 1:1 frame rate (i.e., 29.97fps if source is 29.97fps) AVC/H.264 Main Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Progressive Streaming. Subject matter of source video can be complex and active (i.e., sports, commercial, demo reel, music video). Source file should be either 4:3/1.33:1 aspect, or if source file is 16:9 (1.78:1) aspect with pillarbox bars, then apply a Crop filter constrained to 4:3/1.33:1 aspect to remove pillarbox bars. If source video is interlaced, use a Deinterlace filter with an Adaptive Blend mode to remove comb artifacts and preserve smooth motion. Given this preset's small output resolution, consider an aggressive crop to preserve impact or primary subject matter. Produces good quality stereo audio optimized for mixed music and voice; use an Audio Volume filter set to Normalize Level 90 for best results. Ideal for high quality, very small size, computer presentation of high-motion content made with NTSC, PAL, or HD video cameras.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Low Bandwidth (128K) Flash 9 Compatible Streaming MP4

By: Randon Morford

  • Creates a small 160x120 frame size MP4 file for use with streaming servers. This preset is built to accommodate low CPU usage when playing average motion video.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Low Bandwidth (128K) Progressive Streaming MP4 (320x240)

By: Randon Morford

  • Creates 320x240 MP4 file for progressive streaming/download and does not require a streaming server. Source file should be 320x24s0 or higher. Subject matter of source video can be varied. Not suitable for high motion or complex scene content. Use this preset for a wide range of playback devices, including older desktop computers (e.g. PowerPC Macintosh) and devices.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Low Bandwidth (128K) Progressive Streaming MP4 (432x240)

By: Randon Morford

  • Creates 432x240 mp4 file for progressive streaming/download and does not require a streaming server. Source file should be 432x240 or higher. Subject matter of source video can be varied. Not suitable for high motion or complex scene content. Use this preset for a wide range of playback devices, including older desktop computers (e.g. PowerPC Macintosh) and devices.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Low Bandwidth (256K) Flash 9 Compatible Streaming MP4

By: Randon Morford

  • Creates a small 240x180 frame size MP4 file for use with streaming servers. This preset is built to accommodate low CPU usage when playing average motion video.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Low Bandwidth (384K) Flash 9 Compatible Streaming MP4

By: Randon Morford

  • Creates a small 240x180 frame size MP4 file for use with streaming servers. This preset is built to accommodate low CPU usage when playing average motion video.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Low Bandwidth (64K) Flash 9 Compatible Streaming MP4

By: Randon Morford

  • Creates a small 160x120 frame size MP4 file for use with streaming servers. This preset is built to accommodate low CPU usage when playing average motion video.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Low Bandwidth (64K) Progressive Streaming MP4 (240x180)

By: Randon Morford

  • Creates 240x180 mp4 file for progressive streaming/download and does not require a streaming server. Source file should be 240x180 or higher. Subject matter of source video can be varied. Not suitable for high motion or complex scene content. Use this preset for a wide range of playback devices, including older desktop computers (e.g. PowerPC Macintosh) and devices.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Low Bandwidth (64K) Progressive Streaming MP4 (320x180)

By: Randon Morford

  • Creates 320x180 mp4 file for progressive streaming/download and does not require a streaming server. Source file should be 320x180 or higher. Subject matter of source video can be varied. Not suitable for high motion or complex scene content. Use this preset for a wide range of playback devices, including older desktop computers (e.g. PowerPC Macintosh) and devices.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Low CPU Average Motion Flash 9 16x9 360p 23.98-24fps

By: Robert Reinhardt

  • Creates 640x360 23.98fps or 24fps AVC/H.264 Base Profile MPEG-4 output for Adobe Flash Player 10 (or 9.0.115 or higher). Source file should be 640x360 or higher, preferably 1280x720 or higher, with a frame rate of 23.98 or 24 fps. Subject matter of source video can be varied. Not suitable for high motion or complex scene content. Use this preset for a wide range of playback devices, including older desktop computers (e.g. PowerPC Macintosh) and devices.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Low CPU Average Motion Flash 9 16x9 720p 23.98-24fps

By: Robert Reinhardt

  • Creates 1280x720 23.98fps or 24fps AVC/H.264 Base Profile MPEG-4 output for Adobe Flash Player 10 (or 9.0.115 or higher). Source file should be 1280x720 or higher, with a frame rate of 23.98 or 24 fps. Subject matter of source video can be varied. Not suitable for high motion or complex scene content. Use this preset for a wide range of playback devices, including older desktop computers (e.g. PowerPC Macintosh) and devices.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Low CPU Average Motion Flash 9 16x9 720p 29.97fps

By: Robert Reinhardt

  • Creates 1280x720 29.97fps AVC/H.264 Base Profile MPEG-4 output for Adobe Flash Player 10 (or 9.0.115 or higher). Source file should be 1280x720 or higher, with a frame rate of 29.97fps. Subject matter of source video can be varied. Not suitable for high motion or complex scene content. Use this preset for a wide range of playback devices, including older desktop computers (e.g. PowerPC Macintosh) and devices.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Low CPU Average Motion Flash 9 4x3 480p 29.97fps

By: Robert Reinhardt

  • Creates 640x480 29.97fps AVC/H.264 Base Profile MPEG-4 output for Adobe Flash Player 10 (or 9.0.115 or higher). Source file should be 640x480 or higher. Subject matter of source video can be varied. Not suitable for high motion or complex scene content. Use this preset for a wide range of playback devices, including older desktop computers (e.g. PowerPC Macintosh) and devices.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Low CPU High Motion Flash 9 16x9 360p 23.98-24fps

By: Robert Reinhardt

  • Creates 640x360 23.98fps or 24fps AVC/H.264 Base Profile MPEG-4 output for Adobe Flash Player 10 (or 9.0.115 or higher). Source file should be 640x360 or higher, preferably 1280x720 or higher, with a frame rate of 23.98 or 24 fps. Subject matter of source video can be complex and active (e.g. action movie trailer). Use this preset for a wide range of playback devices, including older desktop computers (e.g. PowerPC Macintosh) and devices.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Low CPU High Motion Flash 9 16x9 720p 23.98-24fps

By: Robert Reinhardt

  • Creates 1280x720 23.98fps or 24fps AVC/H.264 Base Profile MPEG-4 output for Adobe Flash Player 10 (or 9.0.115 or higher). Source file should be 1280x720 or higher, with a frame rate of 23.98 or 24 fps. Subject matter of source video can be complex and active (e.g. action movie trailer). Use this preset for a wide range of playback devices, including older desktop computers (e.g. PowerPC Macintosh) and devices.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Low CPU High Motion Flash 9 16x9 720p 29.97fps

By: Robert Reinhardt

  • Creates 1280x720 29.97fps AVC/H.264 Base Profile MPEG-4 output for Adobe Flash Player 10 (or 9.0.115 or higher). Source file should be 1280x720 or higher, with a frame rate of 29.97fps. Subject matter of source video can be complex and active (e.g. action movie trailer). Use this preset for a wide range of playback devices, including older desktop computers (e.g. PowerPC Macintosh) and devices.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Low CPU High Motion Flash 9 4x3 480p 29.97fps

By: Robert Reinhardt

  • Creates 640x480 29.97fps AVC/H.264 Base Profile MPEG-4 output for Adobe Flash Player 10 (or 9.0.115 or higher). Source file should be 640x480 or higher. Subject matter of source video can be complex and active (e.g. action movie trailer). Use this preset for a wide range of playback devices, including older desktop computers (e.g. PowerPC Macintosh) and devices.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Low CPU Low Motion Flash 9 16x9 360p 23.98-24fps

By: Robert Reinhardt

  • Creates 640x360 23.98fps or 24fps AVC/H.264 Base Profile MPEG-4 output for Adobe Flash Player 10 (or 9.0.115 or higher). Source file should be 640x360 or higher, preferably 1280x720 or higher, with a frame rate of 23.98 or 24 fps. Subject matter of source video should be minimally active and scene detail should not be complex (e.g. talking head or interview clip with stationary background). Use this preset for a wide range of playback devices, including older desktop computers (e.g. PowerPC Macintosh) and devices.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Low CPU Low Motion Flash 9 16x9 720p 23.98-24fps

By: Robert Reinhardt

  • Creates 1280x720 23.98fps or 24fps AVC/H.264 Base Profile MPEG-4 output for Adobe Flash Player 10 (or 9.0.115 or higher). Source file should be 1280x720 or higher, with a frame rate of 23.98 or 24 fps. Subject matter of source video should be minimally active and scene detail should not be complex (e.g. talking head or interview clip with stationary background). Use this preset for a wide range of playback devices, including older desktop computers (e.g. PowerPC Macintosh) and devices.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Low CPU Low Motion Flash 9 16x9 720p 29.97fps

By: Robert Reinhardt

  • Creates 1280x720 29.97fps AVC/H.264 Base Profile MPEG-4 output for Adobe Flash Player 10 (or 9.0.115 or higher). Source file should be 1280x720 or higher, with a frame rate of 29.97fps. Subject matter of source video should be minimally active and scene detail should not be complex (e.g. talking head or interview clip with stationary background). Use this preset for a wide range of playback devices, including older desktop computers (e.g. PowerPC Macintosh) and devices.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Low CPU Low Motion Flash 9 4x3 480p 29.97fps

By: Robert Reinhardt

  • Creates 640x480 29.97fps AVC/H.264 Base Profile MPEG-4 output for Adobe Flash Player 10 (or 9.0.115 or higher). Source file should be 640x480 or higher. Subject matter of source video should be minimally active and scene detail should not be complex (e.g. talking head or interview clip with stationary background). Use this preset for a wide range of playback devices, including older desktop computers (e.g. PowerPC Macintosh) and devices.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Modern CPU Average Motion Flash 9 16x9 360p 23.98-24fps

By: Robert Reinhardt

  • Creates 640x360 23.98fps or 24fps AVC/H.264 High Profile MPEG-4 output for Adobe Flash Player 10 (or 9.0.115 or higher). Source file should be 640x360 or higher, preferably 1280x720 or higher, with a frame rate of 23.98 or 24 fps. Subject matter of source video can be varied. Not suitable for high motion or complex scene content. Use this preset for playback on computers with dual core or higher processor technology.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Modern CPU Average Motion Flash 9 16x9 720p 23.98-24fps

By: Robert Reinhardt

  • Creates 1280x720 23.98fps or 24fps AVC/H.264 High Profile MPEG-4 output for Adobe Flash Player 10 (or 9.0.115 or higher). Source file should be 1280x720 or higher, with a frame rate of 23.98 or 24 fps. Subject matter of source video can be varied. Not suitable for high motion or complex scene content. Use this preset for playback on computers with dual core or higher processor technology.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Modern CPU Average Motion Flash 9 16x9 720p 29.97fps

By: Robert Reinhardt

  • Creates 1280x720 29.97fps AVC/H.264 High Profile MPEG-4 output for Adobe Flash Player 10 (or 9.0.115 or higher). Source file should be 1280x720 or higher, with a frame rate of 29.97fps. Subject matter of source video can be varied. Not suitable for high motion or complex scene content. Use this preset for playback on computers with dual core or higher processor technology.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Modern CPU Average Motion Flash 9 4x3 480p 29.97fps

By: Robert Reinhardt

  • Creates 640x480 29.97fps AVC/H.264 High Profile MPEG-4 output for Adobe Flash Player 10 (or 9.0.115 or higher). Source file should be 640x480 or higher. Subject matter of source video can be varied. Not suitable for high motion or complex scene content. Use this preset for playback on computers with dual core or higher processor technology.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Modern CPU High Motion Flash 9 16x9 360p 23.98-24fps

By: Robert Reinhardt

  • Creates 640x360 23.98fps or 24fps AVC/H.264 High Profile MPEG-4 output for Adobe Flash Player 10 (or 9.0.115 or higher). Source file should be 640x360 or higher, preferably 1280x720 or higher, with a frame rate of 23.98 or 24 fps. Subject matter of source video can be complex and active (e.g. action movie trailer). Use this preset for playback on computers with dual core or higher processor technology.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Modern CPU High Motion Flash 9 16x9 720p 23.98-24fps

By: Robert Reinhardt

  • Creates 1280x720 23.98fps or 24fps AVC/H.264 High Profile MPEG-4 output for Adobe Flash Player 10 (or 9.0.115 or higher). Source file should be 1280x720 or higher, with a frame rate of 23.98 or 24 fps. Subject matter of source video can be complex and active (e.g. action movie trailer). Use this preset for playback on computers with dual core or higher processor technology.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Modern CPU High Motion Flash 9 16x9 720p 29.97fps

By: Robert Reinhardt

  • Creates 1280x720 29.97fps AVC/H.264 High Profile MPEG-4 output for Adobe Flash Player 10 (or 9.0.115 or higher). Source file should be 1280x720 or higher, with a frame rate of 29.97fps. Subject matter of source video can be complex and active (e.g. action movie trailer). Use this preset for playback on computers with dual core or higher processor technology.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Modern CPU High Motion Flash 9 4x3 480p 29.97fps

By: Robert Reinhardt

  • Creates 640x480 29.97fps AVC/H.264 High Profile MPEG-4 output for Adobe Flash Player 10 (or 9.0.115 or higher). Source file should be 640x480 or higher. Subject matter of source video can be complex and active (e.g. action movie trailer). Use this preset for playback on computers with dual core or higher processor technology.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Modern CPU Low Motion Flash 9 16x9 360p 23.98-24fps

By: Robert Reinhardt

  • Creates 640x360 23.98fps or 24fps AVC/H.264 High Profile MPEG-4 output for Adobe Flash Player 10 (or 9.0.115 or higher). Source file should be 640x360 or higher, preferably 1280x720 or higher, with a frame rate of 23.98 or 24 fps. Subject matter of source video should be minimally active and scene detail should not be complex (e.g. talking head or interview clip with stationary background). Use this preset for playback on computers with dual core or higher processor technology.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Modern CPU Low Motion Flash 9 16x9 720p 23.98-24fps

By: Robert Reinhardt

  • Creates 1280x720 23.98fps or 24fps AVC/H.264 High Profile MPEG-4 output for Adobe Flash Player 10 (or 9.0.115 or higher). Source file should be 1280x720 or higher, with a frame rate of 23.98 or 24 fps. Subject matter of source video should be minimally active and scene detail should not be complex (e.g. talking head or interview clip with stationary background). Use this preset for playback on computers with dual core or higher processor technology.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Modern CPU Low Motion Flash 9 16x9 720p 29.97fps

By: Robert Reinhardt

  • Creates 1280x720 29.97fps AVC/H.264 Base Profile MPEG-4 output for Adobe Flash Player 10 (or 9.0.115 or higher). Source file should be 1280x720 or higher, with a frame rate of 29.97fps. Subject matter of source video should be minimally active and scene detail should not be complex (e.g. talking head or interview clip with stationary background). Use this preset for playback on computers with dual core or higher processor technology.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

Modern CPU Low Motion Flash 9 4x3 480p 29.97fps

By: Robert Reinhardt

  • Creates 640x480 29.97fps AVC/H.264 Base Profile MPEG-4 output for Adobe Flash Player 10 (or 9.0.115 or higher). Source file should be 640x480 or higher. Subject matter of source video should be minimally active and scene detail should not be complex (e.g. talking head or interview clip with stationary background). Use this preset for playback on computers with dual core or higher processor technology.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

ScreenCap-HD 1024x768 (4x3)

By: Nate Caplin

  • Creates 1024x768 12fps AVC/H.264 Main Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Creates smaller file sizes (relative to standard video at similar resolution) by taking advantage of lower frame rates and higher compression efficiency for comparatively static imagery common with screen capture content. Subject matter presumed to be computer screen capture (application demos, etc.) at 4:3 aspect ratio (i.e., 1600x1200, 1024x768) created with a screen capture application such as Camtasia Studio, Snapz Pro, ScreenFlow, iShowU, or Screenflick. Source file should be 1024x768 or higher. Well suited for high-motion screen capture content, such as demos containing animation or video playback. For optimal results, capture source file at a frame rate evenly divisible by 12, such as 12 or 24fps; and record at the lowest screen resolution appropriate for your content (i.e., 1024x768 instead of 1600x1200). This will result in a less severe reduction in size from the original and will preserve small details better. Audio settings optimized for high-quality speech and stereo music; use of an Audio Volume filter set to Normalize Level 90 recommended. Use of other videos filters NOT recommended with screen capture content.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

ScreenCap-HD 1280x1024 (5x4)

By: Nate Caplin

  • Creates 1280x1024 12fps AVC/H.264 Main Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Creates smaller file sizes (relative to standard video at similar resolution) by taking advantage of lower frame rates and higher compression efficiency for comparatively static imagery common with screen capture content. Subject matter presumed to be computer screen capture (application demos, etc.) at 5:4 aspect ratio (i.e., 1280x1024) created with a screen capture application such as Camtasia Studio, Snapz Pro, ScreenFlow, iShowU, or Screenflick. Source file should be 1280x1024 or higher. Well suited for high-motion screen capture content, such as demos containing animation or video playback. For optimal results, capture source file at a frame rate evenly divisible by 12, such as 12 or 24fps. Audio settings optimized for high-quality speech and stereo music; use of an Audio Volume filter set to Normalize Level 90 recommended. Use of other videos filters NOT recommended with screen capture content.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

ScreenCap-HD 1280x720 (16x9)

By: Nate Caplin

  • Creates 1280x720 12fps AVC/H.264 Main Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Creates smaller file sizes (relative to standard video at similar resolution) by taking advantage of lower frame rates and higher compression efficiency for comparatively static imagery common with screen capture content. Subject matter presumed to be computer screen capture (application demos, etc.) at 16:9 aspect ratio (i.e., 1920x1080, 1280x720) created with a screen capture application such as Camtasia Studio, Snapz Pro, ScreenFlow, iShowU, or Screenflick. Source file should be 1280x720 or higher. Well suited for high-motion screen capture content, such as demos containing animation or video playback. For optimal results, capture source file at a frame rate evenly divisible by 12, such as 12 or 24fps; and record at the lowest screen resolution appropriate for your content (i.e., 1280x720 instead of 1920x1080). This will result in a less severe reduction in size from the original and will preserve small details better. Audio settings optimized for high-quality speech and stereo music; use of an Audio Volume filter set to Normalize Level 90 recommended. Use of other videos filters NOT recommended with screen capture content.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

ScreenCap-HD 1280x800 (16x10)

By: Nate Caplin

  • Creates 1280x800 12fps AVC/H.264 Main Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Creates smaller file sizes (relative to standard video at similar resolution) by taking advantage of lower frame rates and higher compression efficiency for comparatively static imagery common with screen capture content. Subject matter presumed to be computer screen capture (application demos, etc.) at 16:10 aspect ratio (i.e., 1920x1200, 1280x800) created with a screen capture application such as Camtasia Studio, Snapz Pro, ScreenFlow, iShowU, or Screenflick. Source file should be 1280x800 or higher. Well suited for high-motion screen capture content, such as demos containing animation or video playback. For optimal results, capture source file at a frame rate evenly divisible by 12, such as 12 or 24fps; and record at the lowest screen resolution appropriate for your content (i.e., 1280x800 instead of 1920x1200). This will result in a less severe reduction in size from the original and will preserve small details better. Audio settings optimized for high-quality speech and stereo music; use of an Audio Volume filter set to Normalize Level 90 recommended. Use of other videos filters NOT recommended with screen capture content.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

ScreenCap-Large 800x600 (4x3)

By: Nate Caplin

  • Creates 800x600 8fps AVC/H.264 Main Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Creates extremely small file sizes (relative to standard video at similar resolution) by taking advantage of lower frame rates and higher compression efficiency for comparatively static imagery common with screen capture content. Subject matter presumed to be computer screen capture (application demos, etc.) at 4:3 aspect ratio (i.e., 1600x1200, 1024x768, 800x600) created with a screen capture application such as Camtasia Studio, Snapz Pro, ScreenFlow, iShowU, or Screenflick. Source file should be 800x600 or higher. Not suitable for standard video or high-motion screen capture content. Ideal for computer application demos and/or training for typical office applications, web browsing, etc. For optimal results, capture source file at a frame rate evenly divisible by 8, such as 8, 16, or 24fps; and record at the lowest screen resolution appropriate for your content (i.e., 800x600 instead of 1024x768). This will result in a less severe reduction in size from the original and will preserve small details better. Audio settings optimized for high-quality speech and mono music; use of an Audio Volume filter set to Normalize Level 90 recommended. Use of other videos filters NOT recommended with screen capture content.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

ScreenCap-Large 960x540 (16x9)

By: Nate Caplin

  • Creates 960x540 8fps AVC/H.264 Main Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Creates extremely small file sizes (relative to standard video at similar resolution) by taking advantage of lower frame rates and higher compression efficiency for comparatively static imagery common with screen capture content. Subject matter presumed to be computer screen capture (application demos, etc.) at 16:9 aspect ratio (i.e., 1920x1080, 1280x720) created with a screen capture application such as Camtasia Studio, Snapz Pro, ScreenFlow, iShowU, or Screenflick. Source file should be 960x540 or higher. Not suitable for standard video or high-motion screen capture content. Ideal for computer application demos and/or training for typical office applications, web browsing, etc. For optimal results, capture source file at a frame rate evenly divisible by 8, such as 8, 16, or 24fps; and record at the lowest screen resolution appropriate for your content (i.e., 1280x720 instead of 1920x1080). This will result in a less severe reduction in size from the original and will preserve small details better. Audio settings optimized for high-quality speech and mono music; use of an Audio Volume filter set to Normalize Level 90 recommended. Use of other videos filters NOT recommended with screen capture content.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

ScreenCap-Large 960x600 (16x10)

By: Nate Caplin

  • Creates 960x600 8fps AVC/H.264 Main Profile MPEG-4 output for QuickTime 7 or higher, iPod/iPhone, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Creates extremely small file sizes (relative to standard video at similar resolution) by taking advantage of lower frame rates and higher compression efficiency for comparatively static imagery common with screen capture content. Subject matter presumed to be computer screen capture (application demos, etc.) at 16:10 aspect ratio (i.e., 1920x1200, 1680x1050, 1280x800) created with a screen capture application such as Camtasia Studio, Snapz Pro, ScreenFlow, iShowU, or Screenflick. Source file should be 960x600 or higher. Not suitable for standard video or high-motion screen capture content. Ideal for computer application demos and/or training for typical office applications, web browsing, etc. For optimal results, capture source file at a frame rate evenly divisible by 8, such as 8, 16, or 24fps; and record at the lowest screen resolution appropriate for your content (i.e., 1280x800 instead of 1920x1200). This will result in a less severe reduction in size from the original and will preserve small details better. Audio settings optimized for high-quality speech and mono music; use of an Audio Volume filter set to Normalize Level 90 recommended. Use of other videos filters NOT recommended with screen capture content.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

ScreenCap-Large 960x768 (5x4)

By: Nate Caplin

  • Creates 960x600 8fps AVC/H.264 Main Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Creates extremely small file sizes (relative to standard video at similar resolution) by taking advantage of lower frame rates and higher compression efficiency for comparatively static imagery common with screen capture content. Subject matter presumed to be computer screen capture (application demos, etc.) at 5:4 aspect ratio (i.e., 1280x1024) created with a screen capture application such as Camtasia Studio, Snapz Pro, ScreenFlow, iShowU, or Screenflick. Source file should be 960x768 or higher. Not suitable for standard video or high-motion screen capture content. Ideal for computer application demos and/or training for typical office applications, web browsing, etc. For optimal results, capture source file at a frame rate evenly divisible by 8, such as 8, 16, or 24fps. Audio settings optimized for high-quality speech and mono music; use of an Audio Volume filter set to Normalize Level 90 recommended. Use of other videos filters NOT recommended with screen capture content.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

TalkHead-1.5mbps (16x9)

By: Nate Caplin

  • Creates 848x480 1:1 frame rate (i.e., 29.97fps if source is 29.97fps) AVC/H.264 Main Profile MPEG-4 output at approx. 1.5mbps (1536kbps) total bitrate for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Streaming Servers; produces files with Hint Tracks that use less efficient Constant Bitrate (CBR) mode recommended for real-time streaming. Subject matter of source video should have mostly static, low motion content (i.e., interview, lecture, news, training). Source file should be either 16:9/1.78:1 aspect (either HD or SD anamorphic), or if source file is 4:3 (1.33:1) aspect with letterbox bars, then apply a Crop filter constrained to 16:9/1.78:1 "HDTV/EDTV" aspect to remove letterbox bars. If source video is interlaced, use a Deinterlace filter to remove comb artifacts and preserve smooth motion. Produces excellent quality stereo audio optimized for mixed voice and music; use an Audio Volume filter set to Normalize Level 90 for best results. Ideal for near-HD quality computer presentation of longer-duration, low-motion content made with NTSC, PAL, or HD video cameras—at smaller file sizes than mixed motion or high-motion video.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

TalkHead-1mbps (4x3)

By: Nate Caplin

  • Creates 640x480 1:1 frame rate (i.e., 29.97fps if source is 29.97fps) AVC/H.264 Main Profile MPEG-4 output at approx. 1mbps (1024kbps) total bitrate for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Streaming Servers; produces files with Hint Tracks that use less efficient Constant Bitrate (CBR) mode recommended for real-time streaming. Subject matter of source video should have mostly static, low motion content (i.e., interview, lecture, news, training). Source file should be either 4:3/1.33:1 aspect, or if source file is 16:9 (1.78:1) aspect with pillarbox bars, then apply a Crop filter constrained to 4:3/1.33:1 aspect to remove pillarbox bars. If source video is interlaced, use a Deinterlace filter to remove comb artifacts and preserve smooth motion. Produces excellent quality stereo audio optimized for mixed voice and music; use an Audio Volume filter set to Normalize Level 90 for best results. Ideal for near-HD quality computer presentation of longer-duration, low-motion content made with NTSC, PAL, or HD video cameras—at smaller file sizes than mixed motion or high-motion video.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

TalkHead-250kbps (4x3)

By: Nate Caplin

  • Creates 320x240 2:1 frame rate (i.e., 15fps if source is 29.97fps) AVC/H.264 Main Profile MPEG-4 output at approx. 250kbps total bitrate for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Streaming Servers; produces files with Hint Tracks that use less efficient Constant Bitrate (CBR) mode recommended for real-time streaming. Subject matter of source video should have mostly static, low motion content (i.e., interview, lecture, news, trainingSource file should be either 4:3/1.33:1 aspect, or if source file is 16:9 (1.78:1) aspect with pillarbox bars, then apply a Crop filter constrained to 4:3/1.33:1 aspect to remove pillarbox bars. If source video is interlaced, use a Deinterlace filter to remove comb artifacts and preserve smooth motion. Given this preset's small output resolution, consider an aggressive crop to preserve impact or primary subject matter. Produces good quality mono audio optimized for voice; use an Audio Volume filter set to Normalize Level 90 for best results. Ideal for good quality, very small size, computer presentation of longer-duration, low-motion content made with NTSC, PAL, or HD video cameras—at smaller file sizes than mixed motion or high-motion video.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

TalkHead-300kbps (16x9)

By: Nate Caplin

  • Creates 432x240 2:1 frame rate (i.e., 15fps if source is 29.97fps) AVC/H.264 Main Profile MPEG-4 output at approx. 300kbps total bitrate for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Streaming Servers; produces files with Hint Tracks that use less efficient Constant Bitrate (CBR) mode recommended for real-time streaming. Subject matter of source video should have mostly static, low motion content (i.e., interview, lecture, news, training). Source file should be either 16:9/1.78:1 aspect (either HD or SD anamorphic), or if source file is 4:3 (1.33:1) aspect with letterbox bars, then apply a Crop filter constrained to 16:9/1.78:1 "HDTV/EDTV" aspect to remove letterbox bars. If source video is interlaced, use a Deinterlace filter to remove comb artifacts and preserve smooth motion. Given this preset's small output resolution, consider an aggressive crop to preserve impact or primary subject matter. Produces good quality mono audio optimized for voice; use an Audio Volume filter set to Normalize Level 90 for best results. Ideal for good quality, very small size, computer presentation of longer-duration, low-motion content made with NTSC, PAL, or HD video cameras—at smaller file sizes than mixed motion or high-motion video.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

TalkHead-500kbps (4x3)

By: Nate Caplin

  • Creates 480x360 1:1 frame rate (i.e., 29.97fps if source is 29.97fps) AVC/H.264 Main Profile MPEG-4 output at approx. 500kbps total bitrate for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Streaming Servers; produces files with Hint Tracks that use less efficient Constant Bitrate (CBR) mode recommended for real-time streaming. Subject matter of source video should have mostly static, low motion content (i.e., interview, lecture, news, training). Source file should be either 4:3/1.33:1 aspect, or if source file is 16:9 (1.78:1) aspect with pillarbox bars, then apply a Crop filter constrained to 4:3/1.33:1 aspect to remove pillarbox bars. If source video is interlaced, use a Deinterlace filter to remove comb artifacts and preserve smooth motion. Produces excellent quality mono audio optimized for mixed voice and music; use an Audio Volume filter set to Normalize Level 90 for best results. Ideal for good quality, moderate size, computer presentation of longer-duration, low-motion content made with NTSC, PAL, or HD video cameras—at smaller file sizes than mixed motion or high-motion video.
  • Video Codec: H.264
  • Audio Codec: AAC
  • Download

TalkHead-750kbps (16x9)

By: Nate Caplin

  • Creates 640x360 1:1 frame rate (i.e., 29.97fps if source is 29.97fps) AVC/H.264 Main Profile MPEG-4 output at approx. 750kbps total bitrate for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Streaming Servers; produces files with Hint Tracks that use less efficient Constant Bitrate (CBR) mode recommended for real-time streaming. Subject matter of source video should have mostly static, low motion content (i.e., interview, lecture, news, training). Source file should be either 16:9/1.78:1 aspect (either HD or SD anamorphic), or if source file is 4:3 (1.33:1) aspect with letterbox bars, then apply a Crop filter constrained to 16:9/1.78:1 "HDTV/EDTV" aspect to remove letterbox bars. If source video is interlaced, use a Deinterlace filter to remove comb artifacts and preserve smooth motion. Produces excellent quality mono audio optimized for mixed voice and music; use an Audio Volume filter set to Normalize Level 90 for best results. Ideal for good quality, moderate size, computer presentation of longer-duration, low-motion content made with NTSC, PAL, or HD video cameras—at smaller file sizes than mixed motion or high-motion video.
  • Video Codec: H.264
  • Audio Codec: AAC
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TalkHead-HD 1080p (16x9)

By: Nate Caplin

  • Creates 1920x1080 1:1 frame rate (i.e., 29.97fps if source is 29.97fps) AVC/H.264 High Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Progressive Streaming. Subject matter of source video should have mostly static, low motion content (i.e., interview, lecture, news, training). Source file should be 16:9/1.78:1 aspect HD 1080i or larger. If source video is interlaced, use a Deinterlace filter to remove comb artifacts and preserve smooth motion. Produces excellent quality stereo audio optimized for mixed voice and music; use an Audio Volume filter set to Normalize Level 90 for best results. Ideal for highest HD quality computer presentation of low-motion content made with NTSC, PAL, or HD video cameras—at smaller file sizes than mixed motion or high-motion video.
  • Video Codec: H.264
  • Audio Codec: AAC
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TalkHead-HD 480p (16x9)

By: Nate Caplin

  • Creates 848x480 1:1 frame rate (i.e., 29.97fps if source is 29.97fps) AVC/H.264 Main Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Progressive Streaming. Subject matter of source video should have mostly static, low motion content (i.e., interview, lecture, news, training). Source file should be 16:9/1.78:1 aspect (either HD or SD anamorphic). NOT appropriate for 4:3 standard definition sources containing 16:9 content with letterbox bars. If source video is interlaced, use a Deinterlace filter to remove comb artifacts and preserve smooth motion. Produces excellent quality stereo audio optimized for mixed voice and music; use an Audio Volume filter set to Normalize Level 90 for best results. Ideal for good quality, large size, computer presentation of low-motion content made with NTSC, PAL, or HD video cameras—at smaller file sizes than mixed motion or high-motion video.
  • Video Codec: H.264
  • Audio Codec: AAC
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TalkHead-HD 720p (16x9)

By: Nate Caplin

  • Creates 1280x720 1:1 frame rate (i.e., 29.97fps if source is 29.97fps) AVC/H.264 High Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Progressive Streaming. Subject matter of source video should have mostly static, low motion content (i.e., interview, lecture, news, training). Source file should be 16:9/1.78:1 aspect HD 720p or larger. If source video is interlaced, use a Deinterlace filter to remove comb artifacts and preserve smooth motion. Produces excellent quality stereo audio optimized for mixed voice and music; use an Audio Volume filter set to Normalize Level 90 for best results. Ideal for HD quality computer presentation of low-motion content made with NTSC, PAL, or HD video cameras—at smaller file sizes than mixed motion or high-motion video.
  • Video Codec: H.264
  • Audio Codec: AAC
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TalkHead-Large (16x9)

By: Randon Morford

  • Creates 640x360 1:1 frame rate (i.e., 29.97fps if source is 29.97fps) AVC/H.264 Main Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Progressive Streaming. Subject matter of source video should have mostly static, low motion content (i.e., interview, lecture, news, training). Source file should be either 16:9/1.78:1 aspect (either HD or SD anamorphic), or if source file is 4:3 (1.33:1) aspect with letterbox bars, then apply a Crop filter constrained to 16:9/1.78:1 "HDTV/EDTV" aspect to remove letterbox bars. If source video is interlaced, use a Deinterlace filter to remove comb artifacts and preserve smooth motion. Produces excellent quality mono audio optimized for voice; use an Audio Volume filter set to Normalize Level 90 for best results. Ideal for good quality, moderate size, computer presentation of low-motion content made with NTSC, PAL, or HD video cameras—at smaller file sizes than mixed motion or high-motion video.
  • Video Codec: H.264
  • Audio Codec: AAC
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TalkHead-Large (4x3)

By: Nate Caplin

  • Creates 480x360 1:1 frame rate (i.e., 29.97fps if source is 29.97fps) AVC/H.264 Main Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Progressive Streaming. Subject matter of source video should have mostly static, low motion content (i.e., interview, lecture, news, training). Source file should be either 4:3/1.33:1 aspect, or if source file is 16:9 (1.78:1) aspect with pillarbox bars, then apply a Crop filter constrained to 4:3/1.33:1 aspect to remove pillarbox bars. If source video is interlaced, use a Deinterlace filter to remove comb artifacts and preserve smooth motion. Produces excellent quality mono audio optimized for voice; use an Audio Volume filter set to Normalize Level 90 for best results. Ideal for good quality, moderate size, computer presentation of low-motion content made with NTSC, PAL, or HD video cameras—at smaller file sizes than mixed motion or high-motion video.
  • Video Codec: H.264
  • Audio Codec: AAC
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TalkHead-Medium (16x9)

By: Nate Caplin

  • Creates 432x240 1:1 frame rate (i.e., 29.97fps if source is 29.97fps) AVC/H.264 Main Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Progressive Streaming. Subject matter of source video should have mostly static, low motion content (i.e., interview, lecture, news, training). Source file should be either 16:9/1.78:1 aspect (either HD or SD anamorphic), or if source file is 4:3 (1.33:1) aspect with letterbox bars, then apply a Crop filter constrained to 16:9/1.78:1 "HDTV/EDTV" aspect to remove letterbox bars. If source video is interlaced, use a Deinterlace filter to remove comb artifacts and preserve smooth motion. Produces good quality mono audio optimized for voice; use an Audio Volume filter set to Normalize Level 90 for best results. Ideal for good quality, small size, computer presentation of low-motion content made with NTSC, PAL, or HD video cameras—at smaller file sizes than mixed motion or high-motion video.
  • Video Codec: H.264
  • Audio Codec: AAC
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TalkHead-Medium (4x3)

By: Nate Caplin

  • Creates 320x240 1:1 frame rate (i.e., 29.97fps if source is 29.97fps) AVC/H.264 Main Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Progressive Streaming. Subject matter of source video should have mostly static, low motion content (i.e., interview, lecture, news, training). Source file should be either 4:3/1.33:1 aspect, or if source file is 16:9 (1.78:1) aspect with pillarbox bars, then apply a Crop filter constrained to 4:3/1.33:1 aspect to remove pillarbox bars. If source video is interlaced, use a Deinterlace filter to remove comb artifacts and preserve smooth motion. Produces good quality mono audio optimized for voice; use an Audio Volume filter set to Normalize Level 90 for best results. Ideal for good quality, small size, computer presentation of low-motion content made with NTSC, PAL, or HD video cameras—at smaller file sizes than mixed motion or high-motion video.
  • Video Codec: H.264
  • Audio Codec: AAC
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TalkHead-Small (16x9)

By: Nate Caplin

  • Creates 320x180 2:1 frame rate (i.e., 15fps if source is 29.97fps) AVC/H.264 Main Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Progressive Streaming. Subject matter of source video should have mostly static, low motion content (i.e., interview, lecture, news, training). Source file should be either 16:9/1.78:1 aspect (either HD or SD anamorphic), or if source file is 4:3 (1.33:1) aspect with letterbox bars, then apply a Crop filter constrained to 16:9/1.78:1 "HDTV/EDTV" aspect to remove letterbox bars. If source video is interlaced, use a Deinterlace filter to remove comb artifacts and preserve smooth motion. Given this preset's small output resolution, consider an aggressive crop to preserve impact or primary subject matter. Produces good quality mono audio optimized for voice; use an Audio Volume filter set to Normalize Level 90 for best results. Ideal for good quality, very small size, computer presentation of low-motion content made with NTSC, PAL, or HD video cameras—at smaller file sizes than mixed motion or high-motion video.
  • Video Codec: H.264
  • Audio Codec: AAC
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TalkHead-Small (4x3)

By: Nate Caplin

  • Creates 240x180 2:1 frame rate (i.e., 15fps if source is 29.97fps) AVC/H.264 Main Profile MPEG-4 output for QuickTime 7 or higher, Adobe Flash Player 10 (or 9.0.115 or higher), or Microsoft Silverlight 2 or higher. Optimized for Progressive Streaming. Subject matter of source video should have mostly static, low motion content (i.e., interview, lecture, news, training). Source file should be either 4:3/1.33:1 aspect, or if source file is 16:9 (1.78:1) aspect with pillarbox bars, then apply a Crop filter constrained to 4:3/1.33:1 aspect to remove pillarbox bars. If source video is interlaced, use a Deinterlace filter to remove comb artifacts and preserve smooth motion. Given this preset's small output resolution, consider an aggressive crop to preserve impact or primary subject matter. Produces good quality mono audio optimized for voice; use an Audio Volume filter set to Normalize Level 90 for best results. Ideal for good quality, very small size, computer presentation of low-motion content made with NTSC, PAL, or HD video cameras—at smaller file sizes than mixed motion or high-motion video.
  • Video Codec: H.264
  • Audio Codec: AAC
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YouTubeHD (720p)

By: Coby Rich

  • This is the preset that I use to create a very high quality HD file that I can send to YouTube without having to be re-encoded. This plays natively in with the HD settings.
  • Video Codec: H.264
  • Audio Codec: aac
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